Several decases of working and playing in depth with a now-handy range of mediums has left me feeling wealthy beyond measure in the skills, abilities, and experience gleaned along the way.
|Lumenpear series: Peariver|
All that rub with wood, metal, oil, fiber, color and light feels like a family of the finest sort in the practice of making. The light-emitting sculpture I've increasingly focused on draws from the whole range of these relationships, so I think of it as a medium of mediums.
|Skyhull series: Slipperfin|
I'm sculpting copper armatures, making colorful flax-fiber paper, creating a lush surface and glazing it with resins, beeswax and pigments. My practice is currently evolving through several series: Lumenpear, Sky Hull, and Seedpod.
|Sky House: Gatekeeper|
With the Sky House series (2010-15), I transformed wood and bamboo Balinese birdcages from objects of imprisonment to creatures celebrating joy and freedom.
In 1999, I began a still-ongoing body of work under the Lumenhorse umbrella, in the process of getting a Master of Fine Art degree in the northeastern United States. This work grew out of the explorative integration of land, plant, animal, and architectural forms which had birthed the Treebone Garden, and thrived since with the introduction of inner light and translucence.